FREE Teleseminar “Writing Your Way Through Family History”

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Click to get a FREE DOWNLOAD of my March 16 members-only TELESEMINAR with Linda Joy Myers and several participating members of NAMW, available at no charge for Memoir Midwife readers. Here’s what we cover:       Basics and shortcuts for researching … Continue reading

A Tweet-chat on Memoir Writing

I did this tweetchat with my publisher Alpha Books back in January and after giving it a reread, I think there’s some really useful stuff here for focusing your memoir writing. Makes me think there’s some value in having to hone your thoughts down to 140 characters at a time. Hmmmmm.

Make Your Story Come Alive – The Complete Idiot’s Guide to Writing a Memoir A TweetChat Summary

(Posted on 12.01.12)

Victoria Costello, the author of The Complete Idiot’s Guide® to Writing a Memoir joined us this afternoon to provide expert guidance and suggestions on writing a meaningful memoir. Read our TweetChat summary below to learn all her tips.

@CIG_Lifestyle: To start off, how can I determine the purpose on which to focus my memoir?

@VCpsych: Think about the things you can never forget that cry out to be told.

@CIG_Lifestyle: But how can I tell if an event is “memoir-worthy?”

@VCpsych: The number one rule is to find things in your life that are both specific and universal.

@CIG_Lifestyle: Is there an exercise to help me narrow down the events to include in my memoir?

@VCpsych: List your top 20 life experiences, and then rate them in order of importance.

@CIG_Lifestyle: You said to make things both specific and universal. How can I tell if something that matters to me is meaningful to other people?

@VCpsych: Try telling someone the story-do they light up or look bored?

@CIG_Lifestyle: That’s a good idea! What is the difference between a situation and a story?

@VCpsych: A situation is what happened. The story is why it matters.

@CIG_Lifestyle: So it is important to include both in a memoir, right?

@VCpsych: RIGHT. People like specifics in a story like smell, taste, sounds. Titillate and then explain to your readers.

@CIG_Lifestyle: What if I want to include a particularly painful event, should I wait before writing it?

@VCpsych: If you want to follow the masters, the rule if you care to follow the masters is to wait 10 years! Don’t bash your ex too soon…

@CIG_Lifestyle: 10 years seems like enough time to process those events. What are the rules for writing a true story?

@VCpsych: Don’t make up events or combine them. If it’s a guess, tell your readers what you’re up to.

@CIG_Lifestyle: How should I go about double-checking facts?

@VCpsych: Ask other participants in events if you can to check facts and get other points of view.

@CIG_Lifestyle: Do you recommend any strategies to help remember details?

@VCpsych: Always include sense memories when writing your memoir…they take you right back there.

@CIG_Lifestyle: What if my memory goes blank, how do I blend my guesswork with conversation?

@VCpsych: Look at old photos, use heirlooms to prod the sights, sounds, smells and touch of the past.

@CIG_Lifestyle: What are the 5 golden rules of good writing that you mention in your new Complete Idiot’s Guide to Writing a Memoir?

@VCpsych: Like journalism, use the 5 Ws: What, When, Where, Why and Who in your memoir story.

@CIG_Lifestyle: In a memoir, what is the difference between the narrator and main character?

@VCpsych: You as the main character changes over time. As narrator, you stay the same.

@CIG_Lifestyle: Would I ever want to make my narrator unreliable?

@VCpsych: Be unreliable only if you let your readers in on it to show how something changed you.

@CIG_Lifestyle: For our last question, should I publish my work?

@VCpsych: Only if you’re ready to take the exposure and possible hits.

About the author:
Victoria Costello (San Francisco, Calif.), an Emmy Award-winning author of six nonfiction books in psychology and self-help, is also a blogger on PsychologyToday.com and a workshop leader on memoir writing and family mental wellness. Costello’s personal memoir, A Lethal Inheritance: A Mother Uncovers the Science Behind Three Generations of Mental Illness, is published by Prometheus Books. For Alpha Books, she co-authored The Complete Idiot’s Guide® to Child and Adolescent Psychology and The Complete Idiot’s Guide® to The Chemistry of Love. Visit Victoria Costello at: http://alethalinheritance.com.

The Complete Idiot’s Guide® to Writing a Memoir
ISBN: 9781615641239, December 2011, $15.95
Author: Victoria Costello (San Francisco, Calif.)

BUY IT ON AMAZON — $11.83 paperback; $9.99 Kindle E-book (also available on Barnes & Noble and Nook)


John Updike’s 6 Rules for Constructive Criticism – Maria Popova – Entertainment – The Atlantic

These rules are excellent and should be adopted by any editor or reviewer and especially by writers working together in a critique group. I have personally been in one where they were not followed and as a result the feedback … Continue reading

Happy Mother’s Day! The Rewards of ‘Recovery Parenting’ | MentalHealthMomBlog

…Sammy asked me to meet the two of them at a restaurant because he had something important to tell me. Of course, I worried the whole 24 hours beforehand, expecting the worst. Certainly, I feared, Sammy had failed his second to last semester of college, or Lori was pregnant and they didn’t know what to do about it…

via Happy Mother’s Day! The Rewards of ‘Recovery Parenting’ | MentalHealthMomBlog.

Debra Monroe’s Personal Essay of Interracial Adoption: “Gray Area”

An excerpt from this beautiful piece of writing…”A clerk once told my daughter to leave a store because she was loitering. I was nearby, looking at towels. “Is there a problem?” I countered. “I’m her mother.” Even when I was … Continue reading

Ten Best First Lines in Fiction….Memoirists Take Note!

We’re always borrowing the techniques of novelists…including their opening lines.  This is a great compendium. But here’s my favorite…

Charlotte Brontë
Jane Eyre (1847)
“There was no possibility of taking a walk that day.” The polar opposite to Austen and Dickens, this line plunges the reader into the narrative, but in a low-key tone of disappointed expectations that captures Jane Eyre’s dismal circumstances. Brontë nails Jane’s hopeless prospects in 10 words. At the same time, the reader can hardly resist turning the first page. There’s also the intriguing contrast in tone with her sister Emily, who opens Wuthering Heights with: “I have just returned from a visit to my landlord – the solitary neighbour that I shall be troubled with.”

via (1) The Guardian on Facebook.

Seth’s Blog: Don’t expect applause

Oh, I can relate to this. Some guidance on how to stand in your own silence and satisfaction at having written something you’re proud of, no matter who notices.   Seth’s Blog: Don’t expect applause. via Seth’s Blog: Don’t expect … Continue reading

Q and A with a Story Guru: John Randall: A Friend Who Recovered from Depression as He Told His Story

This truly inspiring story — for me as a memoirst and someone who’s battled depression — is on Kathy Hansen’s blog. Read it for a lift. Q and A with a Story Guru: John Randall: A Friend Who Recovered from … Continue reading

“When we talk about mortality, we’re talking about our children”…My pick for ‘World Book Night’

I have to go with Blue Nights by Joan Didion. Here’s what I wrote in my GoodReads review of this amazing memoir about loss and aging.

I feel as though Joan Didion has mapped out my future in this book. Regardless of the nature of her tragedy, we know we’ll all have one or more to match its profundity and challenge. As she navigates these years alone she shows us a graceful way to deal with grief  and death. Not by some silly notion of simple acceptance. No, Didion fights her losses every step of the way. Until she can no longer fight and begins to face the present and future by putting one foot in front of the other. Walking; walking up and down stairs, walking on the streets of Manhattan, walking so unsteadily that she falls; walking with a cane…the act of walking is a powerful metaphor throughout the book.

Oddly, Didion writes as if she had never contemplated the need to prepare for losing anyone close to her or for dying herself, and she is the first to question the strangeness of this sizable omission from her deeply thoughtful life. She acknowledges further that she insufficiently appreciated the joyful moments in her life…something I imagine as a universal realization that will come to most of us, more a piece of hard-earned wisdom than regret.

I thank Joan Didion for this beautiful raw memoir…for its directness, and raggedness.

The mistress of form foregoing form for something deeper. Once again this amazing lady is a few steps ahead of us, illuminating the path.

Here’s the line she repeats throughout the book that will now stay with me always…When we talk about mortality, we’re talking about our children.

That’s my take. What’s yours?

Memoir Writing Roundtable with Naomi Rose, on LifeWriting and Money Consciousness

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Linda Joy has another fascinating teacher of memoir joining her for “The Riches and Rewards of Writing Memoir” Pinning memoir and wealth…Hmmm. I plan to check it out myself. Here, from the NAMW website: The NAMW live feed is on … Continue reading

Implications of Plot in Illness and Memoir

Originally posted on Nieman Storyboard…. Narrative therapy uses a client’s life story to shine a spotlight on how he understands his experience. The concept of an “illness narrative” emerged not in a literary context but over the past two decades in … Continue reading